FEATURE: Still Ill

Nas-Illmaticera1

They called him prophet. Poetry was a part of him. And on Tuesday, April 19, 1994, when 20-year-old Nasir Jones released Illmatic, his debut album on Sony Music’s Columbia Records, true-believer hip-hop heads rejoiced. It felt like revelation.

The journey began three years earlier, with Main Source’s 1991 posse cut “Live at the Barbeque.” On it, the rap world was introduced to an upstart MC from Long Island City’s Queensbridge Houses. Queensbridge, the largest housing project in the U.S., was home to Marley Marl, MC Shan and the mighty Juice Crew, who’d fallen to the Bronx’s Boogie Down Productions in the famous “Bridge Wars” of the late ’80s. The son of jazz trumpeter Olu Dara, Nas was discovered by Main Source’s Large Professor—and was still in his teens when he stole the “Barbeque” single with lines like, “Verbal assassin/My architect pleases/When I was 12/I went to hell for snuffin’ Jesus!”

New York streets were buzzing heavy. 3rd Bass rapper MC Serch signed Nas to his Serchlite Publishing and started shopping for a record deal. Not all of the industry’s honchos were as enthused (Russell Simmons, for example, at Serch’s own label, Def Jam Recordings, turned him down for fear of commercial failure). But Sony Music A&R Faith Newman-Orbach eventually signed Nas to Columbia Records.

With an all-star team of New York beatmakers abetting Large Professor’s production, work began on hip-hop’s perfect album. Nas’s first recorded solo track, “Halftime,” appeared on the soundtrack to the 1992 indie flick Zebrahead, whetting fans’ appetites for what was to come. In the years leading up to the album’s release, overzealous DJs began liberating unguarded tracks via mixtapes and the college-radio circuit. In the face of such early bootlegging, Columbia rushed a short, 10-song Illmatic to stores in ’94—nixing original plans to include more material.

New York purists and the rap press raved, but Russell was right: The album was not a huge commercial success, selling a mere 330,000 copies its first year out. Its cultural impact, though, has proved to be immeasurable, marking Nas’s messiah-like arrival and the beginning of a nine-album, multimillion-selling career. A decade and a half after its release, XXL assembles the people who were there to bear witness.
ROB MARKMAN

REPRESENTERS
Nas: Queens rapper, a.k.a. the Prophet
Jungle: Nas’s Brother, one-half of rap duo Bravehearts
Faith Newman-Orbach: Executive producer, former Sony A&R
MC Serch: Executive producer, one-third of Queens rap trio 3rd Bass
DJ Premier: Brooklyn (by way of Prairie View, Texas) producer, one-half of
rap duo Gang Starr
Large Professor: Queens producer, rapper, member of rap group Main Source
L.E.S.: Queens producer
AZ: Brooklyn rapper
Olu Dara: Nas’s father, jazz trumpeter
Pete Rock: Mount Vernon producer, one-half of rap duo Pete Rock & CL Smooth
T La Rock: Bronx rapper
Busta Rhymes: Brooklyn rapper, former member of rap group
Leaders of the New School
Grand Wizard: Queens rapper, one-half of rap duo Bravehearts
Q-Tip: Queens rapper, producer, member of rap group A Tribe Called Quest

{1] “THE GENESIS”
Conceived by NAS AND
FAITH NEWMAN-ORBACH

Jungle: Nas picked the beat for us to talk on in the background. I remember I didn’t like the beat. I was like, “Off this beat, man? This is garbage.” I was mad young. I didn’t even understand what he was doing.
Nas: I always loved all the breaks in the Wild Style movie. [This session] wasn’t in the beginning of recording [the album], it was closer to the end. I brought a VHS tape of the movie and had the engineer just loop it.
Faith Newman-Orbach: Wild Style was, like, his first introduction to hip-hop. His father took him to see that when he was a kid.

MC Serch: The most difficult sample [to clear] was with [Wild Style director] Charlie Ahearn, believe it or not. We had made a deal with Charlie, and then Fab 5 Freddy got into the mix and started getting into Charlie’s ear like, “Nah, you didn’t get enough [money].” The funny thing was, Fab 5 Freddy was about to direct the “One Love” video. So I’m calling Freddy like, “What are you telling your man? I’m about to cut you a check. You’re about to direct a video. Get on the same page.” [Freddy said,] “Are you threatening me?” I’m like, “Nah, it’s not a threat. I’m just saying, you don’t take care of this, you’re not gonna be directing no video.”
I haven’t spoke to Fab 5 Freddy since.

{2] “N.Y. STATE OF MIND”
Produced by DJ PREMIER

DJ Premier: That was actually the second beat that I did [for Illmatic]. The first one was “Represent.” I just had the drum pattern going with the funny little—it sounds almost like an astronaut signal at the beginning… I found that Joe Chambers sample [“Mind Rain”], which is where that’s from. I usually don’t disclose my samples, but I cleared it, so it’s all good. Found the sample, and when they heard that melody, Nas and them was in agreement, like, “Yo, hook that up, that’s hot.” So I hooked it up, and Nas started writing.

Nas: I had most of it already written, and the original [rhyme] was probably close to 60 bars, so I just broke it up. When I got in the studio, we heard that record. We were just listening to records. I would sit with Premier for hours on end in D&D Studios. When he started putting it together, I just pieced the stuff that I had and wrote a couple of new things in there, too.

DJ Premier: Right at the beginning of the record, when he says, “Straight out the dungeons of rap, where fake niggas don’t make it back.” And then there’s kind of like a silence, where the music is building up, and you hear Nas go, “I don’t know how to start this shit.” He just wrote it, and he was trying to figure out how to format it, like when to come in. I’m waving at him in the control room like, “Look at me, go in for the count.” So right when he looks up and sees me counting, he just jumps in. He did the whole first verse in one take, and I remember when he finished the first verse, he stopped and said, “Does that sound cool?” And we were all like, “Oh my God!” It was like, I don’t even care what else you write.

{3] “LIFE’S A BITCH”
Produced by L.E.S.
Co-Produced by NAS
Featured Vocals: AZ
Trumpet: OLU DARA

Nas: I asked L.E.S. to bring [a copy of Mtume’s “Juicy Fruit”]. I wanted to sample “Juicy.” He didn’t have the record, so he brought the Gap Band’s “Yearning for Your Love” instead. Looped it up, and I was like, “Yo, it ain’t ‘Juicy,’ but it’s a whole ’nother monster!” Once we looped it up, I didn’t even care about “Juicy.” Of course, when Biggie dropped, I was like, “Oh my God.” I lost my rhyme books [the day we recorded “Life’s a Bitch”]. When we got to the studio and realized that I lost my books, we realized I left it on the train. Everybody was mad, like what we left on the train was a winning lotto ticket. [Laughs] We were like, “Oh man, it’s over!” That was years of writing, but the good thing was that I had memorized a lot of it.

L.E.S.: You know, AZ was there. Nas was like, “A, you got something for this?” A just went in the booth and spit it, and Nas came right behind him. AZ had a chorus. They vibed, and before I even blinked, I left the studio, went back to the projects, and niggas was like, “We love that Nas joint.” I was like, Damn. Word? How they get that?

AZ: The hook I had written… After the hook was there, they was like, “Damn, you gotta spit, dawg.” I was like, “Aight, fuck it. If you like it, you like it. You don’t, you don’t.” I did it, and everybody liked it. That was it. It was history made. I didn’t know who the hell Nas’s father was, but I was introduced to him there, and pop was getting it on.

Olu Dara: Well, I had my horn with me, and Nasir said, “Just play ‘Life’s a Bitch.’ Could you play a little at the end?” I remember his brother, Jungle, was there, and we had our Hennessy and our Champagne and everything.

{4] “THE WORLD IS YOURS”
Produced by PETE ROCK

Pete Rock: We were in my basement. Large Professor had brought him over. That’s when I actually first met Nas, when Large brought him up to Mount Vernon. We went through beats and stumbled across that one. It wasn’t like I made it then. It was already made, so I just popped the disc in, and he was like, “Yo!” Next thing you know, we in Battery Studios knocking it down. When I was doing the scratches, Preemo was there. He was just standing there, looking in amazement, and I was like, “Come on, nigga! You that dude, too.”

Nas: At the time, getting a beat from Pete Rock was like getting a beat from Kanye or Timbaland or fuckin’ Dre. I fought to get that [T La Rock] sample on there. Pete had a way of doing his beats, and he was Pete Rock, so I didn’t wanna interfere that much. But I had “It’s Yours” in my head, and I thought it would sound ill. At the last minute, he fit it in there, I think at the mix. I didn’t know how he was gonna fit it in there, but it was perfect how he did it.

T La Rock: When I first listened to Nas, I thought he sounded like a combination of T La Rock and Rakim… Anyone that can rhyme and make sense and not make me wanna just skip to the next track I consider a really good lyricist. And Nas is that. I was kinda blown away by the song itself, and then Pete Rock putting in that “It’s Yours” sample.

MC Serch: There was one hiccup—with Pete Rock’s brother Ruddy. We were really coming close to the end of the album, and Pete and Nas had done a lot of work together, and the week that they were mixing, my grandmother passed away. And in the Jewish religion, you have to sit shiva, and my day to sit shiva was Friday. When you sit shiva, you basically sit on a box, and you do nothing the whole day. So I get a call from Ruddy, his lawyer and my lawyer telling me that they’re due a $5,000 check for the album. And I explain to them, “No problem, I’ll get it to you Monday.” And they had that session that day, and they’re like, “Well, we’ll go into the studio on Monday and record Monday.” I was like, “No, no, no. You gotta get it done [today], because mastering is on Monday.” We had a lot of pressure on us to release this album before the streets got flooded with bootlegs. So there was no way I could miss this date. I’m trying to explain to Ruddy, “Look, it’s shiva, it’s respect to the dead.” And he’s like, “I don’t care about your grandmother, I don’t care about shiva, I want my effin’ money, or we’re not going in the studio.” To this day, I don’t mess with Pete Rock. I don’t have any words for Pete Rock. Even if Pete said to me, “I had no idea, I didn’t know,” that’s still your manager. You still should be involved. And if you’re not involved, you’re catching an L for his loss. This was not Nas’s beef. It was my beef. I didn’t even want Nas knowing anything about it. I didn’t even tell Nas about it until this past year.

Pete Rock: I don’t even remember that shit. I mean, it might have happened, but it was so long ago. Niggas still remember bullshit? All I was concerned with was making a dope-ass record for this new nigga Nas at that time. I don’t know what Serch is talking about.

{5] “HALFTIME”
Produced by LARGE PROFESSOR

Large Professor: The session for “Halftime” was hot, ’cause he was gettin’ his big chance. And it was like, he had his weed already, Big Bo was there, Jungle was there, Wiz was there. I came through. I had the beat already. And we sat there, cooled out a lil’ bit. And he was takin’ it easy, ’cause he was like, “This is my turn now, and I’m gon’ make it count.” So we would roll up an oowop and shit and sit back, listen to the beat. And he was real cool with that shit, like, real smooth with that shit. He’ll sit there for a little while and then be like, “Yo, aight, I’m ready.” And then he go in the booth and start sayin’ the words, and then everybody’s up, shit is lit up. And shit is connecting, and everybody is in the live room like, “Wow!”

Busta Rhymes: I went over [to Large Professor’s house], and he made the “Halftime” beat in front of me, and he was gonna give it to me at the time. I didn’t know what to do with it. I didn’t know why I didn’t know what to do with it, because I loved the shit out the beat. Then I heard it on “Halftime,” and I was like, Goddamn, I was a stupid ass for not touching this beat!

Nas: I remember one time Busta Rhymes stopping by [Chung King Studios], and I met him. I guess he knew me from being with Large Professor… And my brother told him that he should leave Leaders of the New School and go solo. [Laughs]

Jungle: Oh yeah, the first time I met Busta, he was still down with Leaders of the New School and shit. And I was like, “Yo, man, you tight. I think if you went solo and left your peoples alone, you would blow up.” And Nas and everybody was like, “What the fuck are you talking ’bout?” It’s like I insulted the rest of his crew and shit. But then he went solo, and he blew up.

Busta Rhymes: I just took it in stride. I was feeling good that niggas was feelin’ that way about me. I just appreciated Jungle when he told me that.- Compiled by Timmhotep Aku, Carl Chery, Clover Hope, Rob Markman, Starrene Rhett, Anslem Samuel

For more of the  Still Ill feature make sure to pick up XXL’s April issue on newsstands now.

  • yoprince

    these gotta be my favorite type of articles..

    and nas is just so F’in ill it’s ridiculous

    • http://xxlmag.com The General’

      HANDS DOWN,….Nas is the best MC alive.
      F**k these RAPPERS.

      • Pierzy

        Co-Sign

    • Jonsey

      These atricles are the shit. yo Nas is a monster

  • http://www.youtube.com/watch?v=4_GskCCFBnI nas won

    damn pete rock is a grimy dude, after all this time he still wont say sorry? lol straight brooklyn style

  • http://www.youtube.com/watch?v=4_GskCCFBnI hip hop mastermind

    Pete rock is a grimy ass dude, he can’t say sorry after all these years for dissin mc serch? lol straight brooklyn style, who cares about that beef neways, its all about the music and illmatic is the best album in hip hop EVER.

  • D-Block

    deff one of the best hip hop albums of all time

  • http://xxlmag jb

    The best Hip Hop album of all time!-along wit The Chronic. Top to bottom flawless. Nas was so ahead of his time this album still shits on everything out now! I miss 90′s Hip Hop. =-(
    http://www.myspace.com/lidujay

  • Devon

    THey need 2 post more shit up like this now heres the real hip hop people Now im sure XXL will fuck it up and post some Kanye or TI fifty shit even rick ross to fuck up the whole damn segment o yes cant 4get dumb ass DMX Im gon enjoy this while it last

    • http://xxl ryan

      of course xxl is well known 4 fuckin up good moments wit bullshit. in my opinion nas first 2 albums were better than biggie’s albums. if not lyrically definitely the format of the albums kills bigs. but nas had 2 fuck it all up wit dat I Am… album.

      • $ykotic

        “I Am” wasn’t that bad. 2 triangles for that project.

      • paychexx

        I AM… was sick, it had a favor for favor, ny state of mind 2, undying love, small world… what was bad about the album was the pop songs. nas, cant really do the pop songs. the album was sick!

  • Curtis75Black

    Russ needed a young head in his ear. I feel you just can’t give a Demo to someone engulfed in Hip Hop Business side and expect them to acknowledge talent off rip. Too many emcee’s get passed over multiple times before they eventually blow up. If someone sat down and said “Russ, Listen to this Shit man Seriously !!” He might’ve reconsidered. I know a true Nas head today who can’t stand Illmatic at all but loves everything else he’s dropped, so really, to each it’s own.

  • JCITYHUSTLA617

    THIS THA B3ST POST YALL PUT UP IN A MINUTE IMA GO LISTEN 2 ILLMATIC P3ACE

    • ee-city

      word up true statement, best post in a minute, i was just thinking when i get home im poppin in illmatic

  • TheRefriedMexican

    COOL ALBUM.

  • abdulnasir

    this is the best story regarding the making of an album, better than the one on making jigga’s debut. this is some real shit

    • Rob the Music Ed

      That means ALOT man!

      • http://xxlmag jb

        Speaking of which when u gonna do this for The Chronic? You did Ready To Die, Two of Pac’s albums and even Capital Punishment and Dre’s debut is better then all of them. Hell even Doggystyle would be hot.
        http://www.myspace.com/lidujay

  • Who dat?

    I haven’t read a piece this tight in a long time. These are the articles we used to find in rap magazines back in the days, they were researched. The article gives us insight into the inspiration and thought process behind the classics. Not the he said she said, fake beef, fake banging, gang sign throwing crap I see all over this site. Who ever wrote this should get his/her own section and a fu3king budget!!

  • these posts are racist

    Not to knock anyone’s hustle…we all have to eat, but it is interesting that many, including myself have given the likes of Soulja Boy and others a pass for their non-lyrical raps due to their age. Nas was 20 and he released that album?!?! Nas was 17 when he spit on the Barbaque track? Wow. RIP real hip hop, I miss H.E.R.

  • anutha_level

    great drop man….insightful. a true gem for the “hip-hop chronicles”, if there is a such a thing.

  • oskamadison

    There’s been a lot of classic albums since Illmatic(…Cuban Linx, Reasonable Doubt, Ready to Die, etc.) but there hasn’t been one album before or since then that held me hostage for damn near an entire year. I listened to that shit so much, after a while, other MC’s started sounding stupid to me. It took me years to appreciate Craig Mack and what he brought to the game. Dude was talkin’ about “Just like Uniblab” and Nas was on some “The budamonk’s in your trunk, turn the bass up/Not stories by Aesop…” What the fuck???? Even though It Was Written might have been a better put together album and was more complete, Illmatic has this aura about it. Nas said it best. Illmatic came from “the dungeons of rap, where fake niggas don’t make it back”.

  • $ykotic

    Good ish Rob!

    The staff is going in hardbody!

  • freakzilla504

    This why the East fell off.You all are still living in the past.How many times have yall relived Illmatic ,Reasonable doubt,and Ready to die?How many rereviews can Illmatic have.I swear to god yall have been reminicing over that album every 2 years since its release.Don’t get me wrong, I jammed the hell outta that album when it came out as a freshman in High school.But it is 2009, move on people.You don’t see us mentioning Scarface – The Diary,Outkast – Southerplayastic,Goodie Mob- Soul food,UGK – Riding dirty, or Juvenile – 400 degerees every other year.That problems explains why the East has’nt been relevant since 2001.Daamn!

    • Anti-Mainstream

      Because all this snap crackle pop bullshit that’s out now sucks that’s why! The best shit out now can’t fuck with 90′s Hip Hop…In the 90′s emcees who actually had talent and REALLY WERE the greatest rappers alive were on tv and topping the charts. (Nas, Wu-Tang Clan, Krs-One, Redman, Biggie, 2pac, Jay-Z) All these niggas I mentioned (except the dead ones) are STILL relevent and still in everybody’s ipod or rotation. Today’s boring-ass and above average TI’s Weezy’s and Officer Ricky’s will never be on the same level as the emcees I named above! Correct me if I’m wrong!

    • that nigga

      Nobody wants to hear or read bout that country shit nigga!

  • http://verizon SW PHILLY

    Street Fighter soundtrack is when I really started to fuck wit Nas (was still listenin to Midnight Marauders and Blackmoon at the time). But It was Written was the first Nas tape I bought (silent murder bonus track). To this day I can honestly say he got alot of unecessary flack for IWW. Its still a toss up to me which was the better album tho, both are classic.

  • http://www.myspace.com/fastlifearchitects miles archer

    This will be the first issue of XXL i’ll actually spend money on in a few years.
    I love when ya’ll do the “classic album breakdown” issues. I just wish you went even further with the stories surrounding each song.

    myspace.com/fastlifearchitects
    miles archer

  • John Cauner

    Damn, I gotta go and steal the next issue for this one.

  • John Cauner

    I feel like Pete Rock is lying about his brother/manager Ruddy disrepecting MC Serch. Pete says”he doesn’t remember, but it might of happened.” C’mon Pete, you know what went down! Then Pete says “niggas still remember bullshit.” This coming from the same cat who still whines to this day about Puffy stealing the “Juicy” beat from him.

    • paychexx

      co-sign

      • Reemycks!

        and says Q-Tip stole the beat for “We got the Jazz”. this niggas a buster.

  • http://www.justice.gov.za GO-Getta’

    Back in…when i was an mc…afraid 2 kick my little….cuz..ld’nt understand…….. i’m the…man!

  • Prince Caesar

    I love reading posts like this. Real Hip-Hop and I’m only 23 but I been listening to Nas since I was 14. Nas is the greatest MC of all time in my opinion. It’s about time XXL posted some hot shit, and hopped of Wayne’s dick for 2 seconds. O and by the way, Dude, said the east coast fell off in ’01..Get Rich or Die Tryin came out in ’03, dickhead. The east never fell off..it fell back. Illmatic is the shit.

  • Neibo

    sombody tell me if they remember that “One Love” beat…produced by Q-tip…everytime I hear it, takes me to ’94….subway trains, projects, pissy hallways…and I aint even from NY….classic…

  • Neibo

    “Your brother’s buck whylin’ in four maine he wrote me
    He might beat his case, ’til he come home I play it low key
    So stay civilised, time flies
    Though incarcerated your mind (dies)
    I hate it when your mom cries
    It kinda wants to make me murder, for real-a
    I’ve even got a mask and gloves to bust slugs for one love”

  • dark vanilla

    This has gotta be one of my favorite albums of all time, and no disrespect to Biggie and 2Pac, but Nas has gotta be one of my favorite artist of all time. My top 3 favorite Nas albums are in order:
    1. Illmatic
    2. Stillmatic
    3. It was Written

  • http://quebishop.deviantart.com qp

    This is a fantastic article. This is like one of the only reason I picked up the magazine (in that interview with Cam’ron, he really wasn’t talking on anything really). I liked how it does the back stories and each one’s point of view, and lil tidbits. Illmatic is one of my favorite albums to this day (I fucked around and got the edit version, but even still, the shit was dope). Classic record. They don’t make them like that anymore.

  • midwest_ressurrection

    This is one of the best articles i’ve ever read. These are the kinds of articles I want to read! XXL PLEASE DO MORE!

  • Kabelo

    My all time favorite “Memory Lane”, Nas should just hook up with Large and Primo and make another classic

  • http://www.myspace.com/peedublemusic Pee Duble

    Check for ILLTRAVIS, an updated version of Illmatic dropping in april!! http://www.myspace.com/thewilliamsproject

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