Exclusive: An Open Letter From Asher Roth
Later today, former XXL Freshman and consistently nice dude Asher Roth will drop new mixtape Greenhouse Effect Volume 2, or GEV2 for short. Arriving five years after the first volume of GE, which was released in the midst of Asher’s “I Love College” hype storm, the project is a return to form for the fun-loving MC. In short, he calls it a “celebration of getting back to doing your thing.” Since gracing the cover of XXL in 2009, Asher’s had a roller coaster career marked by stints in label purgatory and battles with false expectations—critics writing him off as little more than a frat rapper—borne from his crossover hit “College.” But to those who listened closely, Asher was always a rapper’s rapper; he had quirky influences, mind-blowing internal rhyme schemes and an undeniable charisma that led to collaborations with the likes of Pharrell, Cee-Lo and Don Cannon. Now, after putting out a debut album that peaked at No. 5 on the Billboard 200, followed by a string of false starts on his highly anticipated sophomore LP, Asher is back to the basics of having fun and rapping. While on a visit to New York City last week, Asher sat down with XXL over tacos to discuss his new outlook and how he came full circle to revisit Greenhouse Effect. In the middle of the interview, though, Asher mentioned that he wrote an open letter—to us, to his fans, to himself—that details his experience in the music industry so far and what he wants his post-Universal Records (he recently got out of his five-year contract) life to look like. Below, we have the exclusive letter from Asher. And check back with us at 12:45 PM for GEV2.
“It was in 2008 when I signed my first record deal. Steve Rifkind took a chance on me after hearing a few bars about equality and an animated Gaby insisting ‘Do not let this kid leave the room.’ I celebrated like any 22-year-old would by dropping out of school and moving to Atlanta with a few of my college buddies. Scooter Braun took responsibility for us hooligans and fostered us into a seasoned starter home on Standard Drive. That Spring we let loose a compilation of recordings we made in our rat-infested basement dubbed The Greenhouse Effect Volume 1. Rounding up some local friends, we shot a video in our living room for a track called “Roth Boys.” The following weeks were spent yelling ‘We on the couuuch’ and/or ‘Who’s in your mouth!’ Excitement ensued and we intensified it by placing a song “I Love College” on my MySpace page. My beer pong skills soon went on to receive recognition and before long we had been plucked from The Greenhouse, released a ‘debut’ album Asleep in the Bread Aisle and placed on tour with fellow [XXL] freshmen Kid Cudi & B.o.B. The Great Hangover had begun.
My life in 2009 was full of experiences that happened so fast I’m glad we taped it. Asleep in the Bread Aisle debuting at number 5 on Billboard along with a successful nationwide tour had left me with somewhat of a career. I met a girl the summer after tour concluded and decided it best to spend my next chapter in New York.
I owe a lot to my time in New York. I met some amazing people who are still very impactful on my life today. I also learned that nobody really gives a fuck. Not in a depressing, cynical way. It’s just that nobody cares about you more than you do. My manager, Scooter, had begun to harbor other talent and the business was starting to take the forefront. The label had begun its search for “I Love College II” and I was only interested in compiling household recordings over some of my favorite beats, which became known as Seared Foie Gras With Quince And Cranberry. I remember recording “I’m Eddy” and feeling like I had accomplished something. Something I was proud of. For the most part, nobody at the label really gave a shit. No offense to me, as I understand it’s their job to concentrate on hit records and not great verses over Dipset beats. Budgets became scarce as the label turned to expensive solutions to find something for the radio. All I could do was vent my frustration in an EP called Rawth with boom bap extraordinaire Nottz Raw.
By the end of the year my girlfriend and I had broken up. I had lost touch with my college buddies. My manager had become increasingly distracted and discouraged with my disobedience and UMG was beginning a major restructuring. Steve Rifkind’s SRC label was folding and I had become lost in the entire transition. The lack of direction and certainty inspired a song titled “G.R.I.N.D.” I remember being overwhelmed with that ‘When the going gets tough…’ feeling. I was so proud to play the song for record executives. I thought for sure an uplifting singalong coupled with an honest outlook on the daily work load would satisfy all parties involved. However, reality reared its ugly head and the reconfiguration of UMG left the song with no real home. “G.R.I.N.D.” was lucky enough to get the video treatment but no real push after that.