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	<title>Comments on: Swizz Beatz Trying to Introduce Korean Pop Artists to the United States</title>
	<atom:link href="http://www.xxlmag.com/news/2012/02/swizz-beatz-trying-to-introduce-korean-pop-artists-to-the-united-states/feed/" rel="self" type="application/rss+xml" />
	<link>http://www.xxlmag.com/xxl-magazine/2012/02/swizz-beatz-trying-to-introduce-korean-pop-artists-to-the-united-states/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=swizz-beatz-trying-to-introduce-korean-pop-artists-to-the-united-states</link>
	<description>Hip-Hop On A Higher Level</description>
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		<title>By: NRK Lydverket &#187; K-pop på full frammarsj</title>
		<link>http://www.xxlmag.com/xxl-magazine/2012/02/swizz-beatz-trying-to-introduce-korean-pop-artists-to-the-united-states/#comment-2747981</link>
		<dc:creator>NRK Lydverket &#187; K-pop på full frammarsj</dc:creator>
		<pubDate>Sat, 24 Mar 2012 08:46:50 +0000</pubDate>
		<guid isPermaLink="false">http://www.xxlmag.com/?p=190339#comment-2747981</guid>
		<description><![CDATA[[...] med namn som Beyoncé, Chris Brown og Jay-Z, tok seg nyleg tid til eit besøk i Sør-Korea. Her la han fram  ein klar ambisjon om å &#8220;introdusera vesten til [...]]]></description>
		<content:encoded><![CDATA[<p>[...] med namn som Beyoncé, Chris Brown og Jay-Z, tok seg nyleg tid til eit besøk i Sør-Korea. Her la han fram  ein klar ambisjon om å &#8220;introdusera vesten til [...]</p>
]]></content:encoded>
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		<title>By: Monica Anders PR Strategist</title>
		<link>http://www.xxlmag.com/xxl-magazine/2012/02/swizz-beatz-trying-to-introduce-korean-pop-artists-to-the-united-states/#comment-2702452</link>
		<dc:creator>Monica Anders PR Strategist</dc:creator>
		<pubDate>Sun, 26 Feb 2012 15:41:23 +0000</pubDate>
		<guid isPermaLink="false">http://www.xxlmag.com/?p=190339#comment-2702452</guid>
		<description><![CDATA[For nearly two years it was no secret to the K-Pop music industry that world renowned Music Producer Teddy Riley and PMG his production team is the first to break ground and envision the success of working within their music sector as well as bringing K-Pop music to the USA.

From attending major press conferences, meetings, working and collaborating with a few major music management and record labels since the late summer of 2010 in Seoul, Korea, Teddy Riley, who has more than 500 major credits to his name including the highlight of his production career the &quot;Dangerous&quot; album by Michael Jackson which sold more than 32 million copies and won him a Grammy for engineering has most definitely etched his deep imprint and impression in the K-Pop music industry and successfully accomplished his objective and mission.

Since April of 2011, Riley has been featured and highlighted in major Korean Pop magazines, blogs and music editorials, Billboard, mainstream news and hundreds of social media sites for his solid work with various artists including Jay Park and has a high profile media presence reflecting his accomplishments on line. He since has been producing and composing music for top artists at SM Entertainment, South Korea&#039;s largest Entertainment &amp; Media Group.

K-Pop music hit the USA masses on October 23rd of 2011 at Madison Square Garden when a 9-piece Korean pop super group Girls Generation a/k/a SNSD made their United States debut with a sell-out concert sponsored by SM Town performing their hit song &quot;The Boys&quot; produced and co-written by Teddy Riley and to date has 8 different remixes. &quot;The Boys&quot; stateside earned a Top 5 slot on the Billboard K-Pop Hot 100 chart shortly after their USA debut and ranked 2nd on Billboard&#039;s World Album Charts.

&quot;So before everyone gets too excited with recent quotes published in a few major Urban music magazines and sites with a posting of a news conference recently held in Seoul, Korea by another USA Hip Hop producer who &quot;mistakenly&quot; stated that something like this has never been done before and he is breaking new ground bringing K-Pop to the USA, please note that as Public Relations Strategist for Icon Teddy Riley, I just want to kindly but firmly get the facts straight! I ensure all of you that this mission has not only been accomplished and well received first by my client, but a mountain of success has already been marked and identified as a piece of legendary history in the making with his name on it,&quot; says Monica Anders.]]></description>
		<content:encoded><![CDATA[<p>For nearly two years it was no secret to the K-Pop music industry that world renowned Music Producer Teddy Riley and PMG his production team is the first to break ground and envision the success of working within their music sector as well as bringing K-Pop music to the USA.</p>
<p>From attending major press conferences, meetings, working and collaborating with a few major music management and record labels since the late summer of 2010 in Seoul, Korea, Teddy Riley, who has more than 500 major credits to his name including the highlight of his production career the &#8220;Dangerous&#8221; album by Michael Jackson which sold more than 32 million copies and won him a Grammy for engineering has most definitely etched his deep imprint and impression in the K-Pop music industry and successfully accomplished his objective and mission.</p>
<p>Since April of 2011, Riley has been featured and highlighted in major Korean Pop magazines, blogs and music editorials, Billboard, mainstream news and hundreds of social media sites for his solid work with various artists including Jay Park and has a high profile media presence reflecting his accomplishments on line. He since has been producing and composing music for top artists at SM Entertainment, South Korea&#8217;s largest Entertainment &amp; Media Group.</p>
<p>K-Pop music hit the USA masses on October 23rd of 2011 at Madison Square Garden when a 9-piece Korean pop super group Girls Generation a/k/a SNSD made their United States debut with a sell-out concert sponsored by SM Town performing their hit song &#8220;The Boys&#8221; produced and co-written by Teddy Riley and to date has 8 different remixes. &#8220;The Boys&#8221; stateside earned a Top 5 slot on the Billboard K-Pop Hot 100 chart shortly after their USA debut and ranked 2nd on Billboard&#8217;s World Album Charts.</p>
<p>&#8220;So before everyone gets too excited with recent quotes published in a few major Urban music magazines and sites with a posting of a news conference recently held in Seoul, Korea by another USA Hip Hop producer who &#8220;mistakenly&#8221; stated that something like this has never been done before and he is breaking new ground bringing K-Pop to the USA, please note that as Public Relations Strategist for Icon Teddy Riley, I just want to kindly but firmly get the facts straight! I ensure all of you that this mission has not only been accomplished and well received first by my client, but a mountain of success has already been marked and identified as a piece of legendary history in the making with his name on it,&#8221; says Monica Anders.</p>
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	<item>
		<title>By: MPeezy</title>
		<link>http://www.xxlmag.com/xxl-magazine/2012/02/swizz-beatz-trying-to-introduce-korean-pop-artists-to-the-united-states/#comment-2697389</link>
		<dc:creator>MPeezy</dc:creator>
		<pubDate>Thu, 23 Feb 2012 08:23:21 +0000</pubDate>
		<guid isPermaLink="false">http://www.xxlmag.com/?p=190339#comment-2697389</guid>
		<description><![CDATA[co-signed]]></description>
		<content:encoded><![CDATA[<p>co-signed</p>
]]></content:encoded>
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	<item>
		<title>By: steven</title>
		<link>http://www.xxlmag.com/xxl-magazine/2012/02/swizz-beatz-trying-to-introduce-korean-pop-artists-to-the-united-states/#comment-2697235</link>
		<dc:creator>steven</dc:creator>
		<pubDate>Thu, 23 Feb 2012 04:57:03 +0000</pubDate>
		<guid isPermaLink="false">http://www.xxlmag.com/?p=190339#comment-2697235</guid>
		<description><![CDATA[K-Pop is trash. A shitty version of already shitty American music. Get this guy out of here!]]></description>
		<content:encoded><![CDATA[<p>K-Pop is trash. A shitty version of already shitty American music. Get this guy out of here!</p>
]]></content:encoded>
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