FEATURE: DOOM, Method To The Madness

Aside from wearing a metal mask on his face, DOOM is your typical everyday artist. Yea right. Having accumulated a cult following for his off-brand style of unorthodox wordplay, MF DOOM has reveled in his obscurity. Recently dropping the MF from his moniker, the New York-bred mic slayer recently released his latest LP, Born Like This, on indie imprint Lex Records. Being one of the most misunderstood phenomenas in hip-hop today, XXLMag.com got deep into the mind of the man himself to chop it up on why he’s actually not DOOM, hiring people to perform at his shows, a collab album with Ghostface Killah and…children’s books. Read at your own risk.

XXLMag.com: For those who may not be familiar with you, it’s safe to say you’re a pretty left field kind of artist…

DOOM: Um, yea, compared to everything else that’s out there right now. I guess it’s safe to say that. However people see it, that’s up to them, from their perspective. It’s hard for me to see it though, cause I just do it.

XXL: I know you got the new album, Born Like This, that just dropped. Is this album at all different from your previous work that your fans know you for?

DOOM: I’d have to say yea. It’s different in the respect that the previous DOOM records were more like an introduction to the character. So you know, a lot of it was in third person in the rhymes. Some of it was in first person point of view. But this particular record is almost totally in the third person and it’s more like you’re in the mind of the character. It’s like you’ve been introduced so now you know him. This record is more personal. Like a one on one, if you right there with a nigga on some chilling type shit. Almost like a person can put themselves in the Villain’s shoes.

XXL: That’s very unique. You’ve cultivated a character in your music over the years, the same way people cultivate brands. How have you been able to familiarize people with the DOOM character outside of just the music?

DOOM: Well, I think a lot of people catch on to it by word of mouth. People who are fans already and they already get the character and kinda see the angle, they’ll bring it to a friend. It seems like that’s how it really spreads. It’s the opposite of the traditional hip-hop shit where you might hear the guy’s name first and then you hear him. It’s a whole different approach, bringing it back to how it started. It used to be like you hear something and be like ‘oh snap, who is that?’ Then you find out more about it. I’d prefer they find out about it that way. But either way is good because it all leads back to the music anyway. But it’s just the craftsmanship of the music. When something is well crafted, you don’t even have to really advertise because the shit is butter anyway, nah mean?

XXL: You get very intricate with your lyrics and use a very broad canvas with your words. What’s your writing process like now and where do you draw inspiration?

DOOM: I just, if I get an idea, I’ll write it, ‘cause I ain’t gonna remember that shit the next day. I just keep a notebook. I write like I was a short story writer. Like even if the lyrics weren’t on a CD, like if they were in a novel, a sci-fi novel or something like that. I think it would read just as well as it’s heard. There’s a certain appeal to just grabbing the mic and talking shit. But after a while, that starts to get like, ‘ok, the same shit over and over again.’ You can’t just always just talk about yourself and how much shit you do and how much money you get. There’s so much more to life than that.

XXL: Did you do any production on this album?

DOOM: Yea, I produced about 75% of it.

XXL: Speaking of production, I know you produced joints on Ghostface’s last two albums. I heard you all are doing an album together called Swift and Changeable

DOOM: Yea, that album is like 45% done. It came about when I got the deal to do this record and he was doing Fishscale at the time. It was just like, let’s get these projects out the way first. But later on this year, niggas’ll hear the Doom/Ghost shit. It’s raw as hell by the way. It’s about to be bonkers. You can’t even imagine.

XXL: Let’s clear something else up. I heard a rumor that you’ve had people show up to shows as you with the mask on and everything, that obviously weren’t you. Is there truth to that?

DOOM: Show up as the character? I’m not the character. You’re talking to the writer right now. In that respect, think about it like this. If you write a screenplay, or a stage joint, some type of theater presentation, like Tyler Perry’s a perfect example. He writes the joints, but then he plays the character of Madea, the old lady and shit. If he decided to outsource that, and get another actor to play Madea, it’s still Madea, you know what I mean? I’m trying to snap niggas out of that getting too caught up in the person as opposed to the music. It’s sound. Go with what you hear, not what you see. So if somebody comes to the show expecting to see me, the writer, you might not. But you will hear the work. So if I feel the need to hire somebody to do the character, I will. I might hire Denzel [Washington] to do it and really get it rockin’. He costs a lot though probably [laughs].

XXL: Speaking of collaborations, Thom Yorke from Radiohead did a remix of your song “Gazzillion Ear.” Seems like an odd pairing. How did y’all hook up?

DOOM: Oh yea, Thom’s my man. It came out ill. He actually approached us. He heard a rough version of the song when I was still working on it and reached out to the label. He wanted to do it on the strength. I wasn’t too familiar with his work but then I did my research on him and saw he’s a pretty prolific dude. I saw how both of our styles could compliment each other and bring more people together with it because his fans are hardcore, if not more hardcore than my fans. It was a good way to bridge the two.

XXL: Can you break down the science behind your other characters besides DOOM? And are you’re working on other projects as the writer?

DOOM: Yea, of course I got the character King Geedorah, a three-headed dragon and shit. He’s working on his second shit now. That’s a whole other separate thing from DOOM. Then I got Vik[tor Vaughn]. He’s like a younger version of DOOM, but he’s still his own character. He got a little more slick mouth with him. Little young nigga think he know it all and shit. He’s nice in his own respect. Then with the evolution of the character DOOM, it’s definitely gonna change up. This one I came straight lyrical, but the next record may be a whole set of ballads. Have the Villain hitting the notes, on some Freddy Jackson shit [laughs]. I’m also working on a series of children’s books. That’s still in the works. And also a book on the Unified Field Theory, which is just a theory of everything and how it pertains to us as a people. It expands on Einstein’s theory of relativity. So I’m breaking it down in layman’s terms of how it pertains to us. It’s more of a serious book based on facts and research. – Anthony Roberts

Recommended for You

Around the Web

Best of XXL

  • The_Truth

    ***I haven’t heard any of his new album. . .but I’ve heard nothing but good things so far.

    Jada’s new album is good. . .but FLOODED with features. Damn near like Birdman’s 1st album. . .besides that, Jada did his thing.

    • joe p

      “You can’t just always just talk about yourself and how much shit you do and how much money you get. There’s so much more to life than that.”
      this a smart dude … great music … arguably the best rapper alive !!!

    • joe p
  • http://www.get2knowpro.com LeonThePro


  • D-Block

    ive heard pretty much his whole album and i got one thing to say….DOPE!

  • Holla Mann

    With rap becoming more of a drama show than a actual art form the good people at Street Commodity Ent. proudly present the best unsigned with lines…… The and only Holla Mann hails from the grimey streets of Flint michigan with the rhyme skill of the best out and the heart of a soldier at his finest. Equipped with enough 16′s to upset your more established artist Holla Mann brings forth his debut mixtape series L.I.V.E Thru ME ( life-in-various-events). The 13 track opus is a soundtrack for those from all aspects of life be it ya’ bodega hustler or your average 9 to 5′er. Holla Mann’s uncanny ability to cover a wide range of genres from gutter,conceptual, lyrical and street gives listeners a reason to feel every track. Known for his metaphors, realism and ability to slaughter verses this force to be wreckoned with in the form of a man will make you holla for more! The world has been awaiting a artist like this, so open ya’ ears’ and put ya’ eye’s forward the futures before you…Exclusively on Datpiff.com

  • http://tonygrands.blogspot.com Tony Grand$

    Dude kind of reminds me of Kool Keith with the multiple personalities. That shit is hella creative, especially with cats trying extra to be like the next man. Here’s one lone guy with more “people” in him (no homo) than a whole Summer Jam concert.

    Has anybody ever seen this nigga’s face?

    • Nick Fury

      Yeah dude
      plenty of people seen the mans face
      before he took on the moniker MF DOOM
      he was part of a group KMD. He never wore a mask then. KMD made 2 albums for elektra records the last one was never released. Entitled black bastards it featured a picture of a sambo type character being hung and Elektra refused to release it. KMD disbanded straight after member and also DOOM’s brother Subroc was killed in a car crash. Daniel Dumile then went on to become DOOM

      • http://tonygrands.blogspot.com Tony Grand$


        I used to bang “Peachfuzz”, I remember when “Black Bastards” got banned & I remember when Subroc died. After that, time just moved on, feel me? That’s crazy, I’d always heard about DOOM, heard some of his shit, but never knew that. Good look.

        Elektra had a tight little roster back in the days…..

        • http://www.ronmexicocity.com ron mexico

          you’ve seen him. re-watch the 3rd bass “gas face” video. he’s zev luv x

  • Casey

    If he feels that it’s not important that Daniel Dumile performs MF DOOM, the show should be billed as “_________ as DOOM.”


    ^His face

  • Berr

    Fuck DOOM MF Grimm all day!

    • ko

      nigga fuck mf grimm doom already sonned that nigga

  • mf lumpy

    MF DOOM is one of the most lyrical rappers out there right now, and this new album is solid, thoroughly awesome. Great beats too hes a sick producer

  • escobar9300

    Doom is one of the dopest rappers Ive ever heard! Kindof reminds me of the wordplay of someone like Nas mixed with the creativity of Outkast. For anyone that hasn’t heard this dude, you need to youtube “Red and Gold”, “Rhymes like Dimes”, “The Mic”, and “Operation Doomsday” for some real sick shit.

  • Nate

    Some of this dude’s music is hella raw. Certain albums of his are great, haven’t collected all the harder to find stuff, but I saw his video where he has the fake imposter doing his shows. Very good, but then don’t know if I want to see him next time he comes to the Independent in SF- might not be him!

  • Slicker This Year

    It seems like the person who conducted this interview, to bone up on their subject, spent 6 minutes catching up on Doom’s career via Wikipedia just before they called/emailed/sat down with him. This is a truly embarrassing piece of hip hop journalism.

  • p.nizzuh

    Madvillian (prod. by Madlib) – one of the best albums ever… perfect with some green [nawmean!]

  • Enlightened

    That was a smooth ass explanation he came up with for how he got caught up sending other niggas in a mask to do his shows